Saturday, 23 May 2015

Frances Ha

       
      I once came across a quote that stated a thought to the effect of, one may never find a person who understands every fibre of our being or identifies the elements we are made of; they may not vibe with our demons or take flight with our angels. Then, out of the blue, we collide with a book or a film, scrawled scratches, moving images that define our existence in a 100 paged paperback or a 130 min compact timeline.
That is what happened to me today. Just now actually. The morning had risen overcast, a chill in the air chasing us into the sanctuary of our blankets and handing us a hot beverage. Perfection. That’s how noon found me. Oversized jumpsuit, steaming mug of coffee, knee socks, with my eyes peeking out of the monkey cap that covered the rest of my face. Overkill, definitely. I sat burying myself into the comfortable couch, trolling the internet for movies to watch. However my interest lay not in the multimillion dollar budget films or the ones that were endorsed by actors who could put Aphrodite to shame with their quest for beauty. I instead was famished for the ones that depicted life in all its unflattering colours. Being a tragic realist, which simply means I am attracted to tragedy and realism, which more often than not in my mind are the same thing, I wanted to watch a movie that my 21 year old self could relate to.
I found ‘Frances Ha’.
Hidden in the dusty archives of black and white, I fell in love with the character, the story, the narrative of Frances Ha. She made all the wrong decisions. Acted completely insane, clingy, adorable, irritating and lovable, all in the same breath. Indulged in dysfunctional relationships. Avoided responsibilities by running away. Literally. To Paris in this case. Not a bad choice, I admit. She moulded her lies to make her life look pretty on the outside. To show the world she was in control, while all the time being thrown into a downward spiral. Sound familiar? It does to me.
Frances Ha is the most honest depiction of every youngling that lies suspended in the breath that separates teenage from adulthood. The transformation that goes from being an irresponsible teen with no consequences for her actions, to the first steps of adulthood which result in becoming homeless and broke with a couple of wrong steps. This story is set in that blind spot on the timeline of every human being, which discovers us battered and bruised from all the trial and error we have to go through to find our path, as well as the process of disillusion that one goes through as they break their shell and take the first sniff of the polluted air. What amused me about Frances was her attempt to retreat back into her shell, her roots, her school that provided the sheltered controlled environment, in this case amidst the throes of nature. It provided a temporary solace from the chaotic uncertainty of the real world. However, as we grow older we outgrow certain places. Sometimes the places outgrow us, and we do not fit in the way our earlier selves used to. It’s time to come to terms with it. It’s time to move on.
The trait that catapulted me to fall in love with Frances, was the struggles that she went through in her discovery of herself. The self-doubt, hate, uncertainty of her place and purpose in this world, feeling left behind as everyone in her life galloped forward and had life all figured, while the cosmos had her on her knees. She never gave up. Blinded, she kept making mistakes, until one day her decisions leaned towards the right directions. She came upon a path that her eyes could adjust to, the one she could stand on, fist tentatively testing its gravity, and then with the confidence that it won’t turn upside down in the next instant. She discovered herself. She fell in love with herself. Slowly. Cautiously. Utterly. Definitely. And with that acceptance, she moulded her life into submission of her true self. Pieces fell into place. People too. Life bent her over backwards, she did not break. She emerged admittedly a little sore, but undeniably victorious. She may not have soaring accomplishments that validate a front page in the newspaper, but she did collect a multitude of experiences, which if denoted a colour could make a canvas come alive.
Movies like these should be plastered on billboards across the globe. The ones that teach you that it’s okay to be yourself. Okay to make mistakes. Okay to be lost in the mess of youth. Okay to take time to find your path. And that it’ll all be okay in the end one way or another.
At this point in my life, this day, this moment, this is what I wanted needed to hear. This is what I needed to rekindle that hope, that magic that had been buried under all that bullshit that society piles on you all your life as you grow up. Frances Ha gave me the will to live, to be happy, to smile that much wider. I am utterly and irrevocably in love with this movie. All the lost souls of this world, go ahead, gravitate towards it and find solace in it. You have me for company. Always and forever, a little lost. Goodbye.



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